Indian-American novelist Ved Mehta dies at 86text_fields
New York: Renowned Indian-American novelist Ved Mehta, known more for taking India to the American readers, died at home here at the age of 86.
Mehta, who overcame blindness, had for 33 years been a staff writer for the New Yorker magazine who reported his death on Saturday.
Born in Lahore before independence in a well-off Punjabi family in 1934, Mehta lost his eyesight when he was three years old to meningitis. He, however, did not let his handicap get in the way of a flourishing career or stop him from showcasing his literary prowess to the world.
He was determined to apprehend the world around him with maximal accuracy and to describe it as best he could.
"I felt that blindness was a terrible impediment, and that if only I exerted myself, and did everything my big sisters and big brother did, I could somehow become exactly like them," he wrote.
Best known for his 12-volume memoir, which focused on the troubled modern history of India and his early struggles with blindness, Mehta's 24 books included volumes of reportage on India, among them "Walking the Indian Streets" (1960), "Portrait of India" (1970) and "Mahatma Gandhi and His Apostles" (1977), as well as explorations of philosophy, theology and linguistics.
"Daddyji" was the first installment in what was to become a 12-volume series of autobiographical works, known collectively as "Continents of Exile." "Ved Mehta has established himself as one of the magazine's most imposing figures," The New Yorker's storied editor William Shawn, who hired him as a staff writer in 1961, told The New York Times in 1982.
"He writes about serious matters without solemnity, about scholarly matters without pedantry, about abstruse matters without obscurity," Shawn had said.
The recipient of a MacArthur Foundation "genius grant" in 1982, Mehta was long praised by critics for his forthright, luminous prose — with its "informal elegance, diamond clarity and hypnotic power," as The Sunday Herald of Glasgow put it in a 2005 profile, the New York Times reported on Sunday.
Mehta composed all of his work orally, dictating long swaths to an assistant, who read them back again and again for him to polish until the work shone like a mirror. He could rework a single article more than a hundred times, he often said, the report said.
One of the most striking hallmarks of Mehta's prose was its profusion of visual description: of the rich and varied landscapes he encountered, of the people he interviewed, of the cities he visited, the NYT report said.
Mehta walked the streets of the city without a cane or a seeing-eye dog, and he bristled when someone dared try to assist him.
After coming to the United States at 15, Mehta attended the Arkansas School for the Blind, in Little Rock. After studying at Pomona College and Oxford University, he began to flourish in his working life as a writer.
He joined the magazine when he was 26 and, for more than three decades, wrote a stream of pieces, many of them appearing in multipart series. He wrote about Oxford dons, theology, Indian politics, and many other subjects.
Some of his most fascinating works are "A Battle Against the Bewitchment of Our Intelligence" (1961), a portrait of British intellectual life and the philosophical debates of the time; "John Is Easy to Please" (1971), a piece about the young linguist Noam Chomsky and the critics of his theory of transformational grammar; and, in 1976, a three-part Profile of Mahatma Gandhi, the report said.
(PTI with minor edits)